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Online Review

Austin, TX : Liberty Lunch – December 1, 1994

December 1, 1994

Austin, TX : Liberty Lunch
https://michaelcorcoran.substack.com/p/liberty-lunch-was-the-armadillo-in

Liberty Lunch was a live-music venue at 405 W. 2nd Street in Austin, Texas that operated until 1999.

From: IN%”SCREWBALL@delphi.com” 2-DEC-1994 07:36:41.70
To: IN%”sugar@csua.berkeley.edu”
Subj: REVIEW: Liberty Lunch, Austin, TX 01 Dec 1994 (includes setlist)

Liberty Lunch is another one of those venues with *strange* acoustics.
Between the floor (uneven cement), the ceiling (corrugated metal
incompletely covered by wood), and the PA (not exactly the best one
out there), soundcheck took longer than usual. Again, excellent job
by Bill Rahmy; the place can sound hideous, but once again, he did an
*amazing* job. Liberty Lunch’s staff were very professional and very
competent, which was a very welcome change from the personnel
encountered at some of the venues thus far.

The audience was also a welcome change from the crowds in Georgia; they were enthusiastic without being pushy and actually *stayed quiet* when the bands played. No crowd-surfing, but given the nature of Liberty Lunch’s floor, that would have been a *very* bad idea. Attendance was surprisingly good, considering the lack of advance sales; then again, this *is* Austin.

For various reasons, Magnapop weren’t able to get a proper soundcheck in. That didn’t stop them from playing a good, if slightly rough, set. Unfortunately, due to the (temporarily) somewhat thin crowd, the first part of their set sounded a bit harsh. Considering what he had to work with, soundman Ricky Martocci did one heck of a fine job. Once again, Magnapop won the audience over.

This was Bob’s homecoming show. He seemed *very* pleased to be back home; he smiled a lot and bounced all over his side of the stage. David and Malcolm did well to match his enthusiasm. They were tight and polished, showing all the good effects of having had a week off, with none of the drawbacks. Once they took the stage, they dazzled and annihilated the audience with the kind of sonic assault that only Sugar can muster. An amazing show, and one well worth waiting for.

David’s and Bob’s vocal harmonies are sounding better and better all the time, and the musicianship is getting *very* tight and polished, but they *still* don’t sound artificial or contrived; in fact, a Sugar show is probably one of the last, best explosions of the kind of riveting, creative, mercurial energy that live music is supposed to be all about.

Highlights: the segue from “Granny Cool” into “The Act We Act,” a searing version of “Clownmaster,” the segue from “In The Eyes Of My Friends” into “Gee Angel,” and a scorching, no-holds-barred “Tilted.”

Set time: 58 minutes; with encores, one hour, twelve minutes.
———————————————————————-
soundcheck

Clownmaster
Company Book
Hoover Dam
The Act We Act (fragment)

set

Gift
Company Book
Hoover Dam
Going Home
Where Diamonds Are Halos
Granny Cool
The Act We Act
A Good Idea
Running Out Of Time
Frustration
Changes
Your Favorite Thing
Clownmaster
If I Can’t Change Your Mind
Mind Is An Island
In The Eyes Of My Friends
Gee Angel

Armenia City In The Sky
Man On The Moon

Tilted
———————————————————————-

And tonight, we’re doing it again.

screwball
(screwball@delphi.com) From: IN%”fagan@austin.ibm.com” 2-DEC-1994 11:28:04.90
To: IN%”sugar@csua.berkeley.edu”
CC:
Subj: RE: REVIEW: Liberty Lunch, Austin, TX 01 Dec 1994 (includes setlist)

Screwball did another great review. I’ll just add a few
other comments.

> Once again, Magnapop won the audience over.
I’ve only heard two songs prior to the show last night, but
Magnapop was excellent. I’ll be looking to buy Hot Boxing
soon.
>
> This was Bob’s homecoming show. He seemed *very* pleased to be back
> home; he smiled a lot and bounced all over his side of the stage.
Bob looked like he was in a great mood. Some of his facial expressions
were priceless. I’m going to bring my camera tonight to try and catch
him in a look.
I really enjoyed the energy of the show. Bob was all over the place,
and David sang real well on his songs.

I was pleased to hear The Act We Act followed by A Good Idea.
Where Diamonds Are Halos is really growing on me.

> And tonight, we’re doing it again.

It should be a great crowd for a Friday.

> screwball
> (screwball@delphi.com)

—

Jim Fagan AIX APAR Regression Test BOS Team Lead (512) 838-2458 From: IN%”danstein@tamu.edu” 2-DEC-1994 12:34:49.13
To: IN%”sugar@csua.berkeley.edu”
CC:
Subj: RE: REVIEW: Liberty Lunch, Austin, TX 01 Dec 1994 (NO setlist)

>The audience was also a welcome change from the crowds in Georgia;
>they were enthusiastic without being pushy and actually *stayed quiet*
>when the bands played. No crowd-surfing, but given the nature of
>Liberty Lunch’s floor, that would have been a *very* bad idea.
>Attendance was surprisingly good, considering the lack of advance
>sales; then again, this *is* Austin.

I was quite surprised by the Dec. 1 show in Austin for the very reason
that Screwball mentioned. I just moved to Texas from Georgia, and I am used
to the insanely dangerous crowds at the Masquerade, and throngs of
testosterone-pumped fratboys at the 40 Watt. This was my first show in
Austin, and I was impressed by the attentive crowds. At one point I saw a
guy start shuffling his feet and bobbing his head, but he was quickly
removed by bouncers (team-Biohazard).
The show was very good and I attempted to tape the proceedings. Unlike
Mark Weygandt, I do not have a quality recording device, so I used what I
would equate to a Fisher Price, “My First Bootleg” setup. The sound was
extremely overblown. Gain control is minimal on my recorder. If anyone has
suggestions, before I try again tonight, please e-mail me privately. It is
not suitable for trading but will serve well as a momento.

Dan Boorstein
spamstein@tamu.edu
Muscle Biology Laboratory
Texas A&M University

“I made my world of happiness to combat your neglect.”
-Bob Mould

Category: Performance ArchiveTag: File Under: Easy Listening Tour, FU:EL Tour, Online Review

Athens, GA: 40 Watt Club – November 22, 1994

November 22, 1994

From: IN%"SCREWBALL@delphi.com" 23-NOV-1994 09:21:46.45
To:   IN%"sugar@csua.berkeley.edu"
Subj: REVIEW: 40 Watt Club, Athens, GA (includes setlist)

The 40 Watt Club in Athens--the place where it all began.  Word has it
that the 40 Watt can sound perfectly *hideous* if the soundman isn't
careful, thanks to its false ceiling and concrete floor (it's an old
furniture warehouse), but this show sounded *fantastic*.  Again, kudos
to Bill Rahmy for a tough job very well done.

Opening again was Jack Logan.  Based on this show and the previous
night's, he is definitely worth looking into.  The man is quite a
songwriter, and his band sounded pretty solid (even without a proper
soundcheck).

Sugar delivered one *hell* of a fine set tonight, as this was the last
night of the first leg of the North American tour.  This was David's
homecoming gig, and a homecoming of sorts for the band as well. 
Unfortunately, the audience just didn't seem to get into the show
tonight.  For the most part, the pit was just a bunch of people
standing around with their arms folded.  Apart from the (maybe) scant
dozen people bouncing around at odd locations in the pit, the audience
was a sea of nonstop chatter from people more interested in the beer
in their hands than the band on the stage.

"Explode and Make Up" got played out of sequence, due to technical
problems with the drums.  The performance was excellent, but
unfortunately, it appeared wasted on the *very* inattentive crowd; Bob
even sang one chorus of "Explode And Make Up" as "Explode and shut
up," all the while giving the audience one of his trademark "Fuck you
all very much" looks.  Even more unfortunately, it didn't work,
leading to the restrained version of the final chorus rather than the
stunning, violent, gorgeous explosion of sound and emotion that has
closed previous performances.  More's the pity.

Bob and David sounded *very* good tonight.  The harmonies on the last
chorus of "Your Favorite Thing" were *incredible*, and the call-and-
response of the last chorus of "Mind Is An Island" really shone
tonight.

Linda Hopper from Magnapop joined the band on stage for the first
encore of "Helpless" and "Gee Angel."

Highlights:  "After All The Roads Have Led To Nowhere" (finally!), a
scorching, pedal-to-the-metal version of "Clownmaster," and an
absolutely explosive performance of "Tilted" that blew the house
*DOWN*!  It's a wonder that Bob's equipment doesn't go into terminal
meltdown with all that energy he unleashes every night.

Set time:  57 minutes; with encores, one hour, twelve minutes.

---------------------------------------------------------------------
soundcheck

The Act We Act (fragment)
In The Eyes Of My Friends


set

Gift
Company Book
Hoover Dam
Going Home
Where Diamonds Are Halos
A Good Idea
After All The Roads Have Led To Nowhere
Running Out Of Time
Frustration
Changes
Explode and Make Up
Your Favorite Thing
Clownmaster
If I Can't Change Your Mind
Mind Is An Island
In The Eyes Of My Friends

Helpless
Gee Angel

Tilted

----------------------------------------------------------------------

End of the first leg of the North American tour.

Eight days off now; tour resumes on 01 December at Liberty Lunch in
Austin, Texas.

      screwball

Category: Performance ArchiveTag: Online Review

Atlanta, GA : Roxy – November 21, 1994

November 21, 1994

Atlanta, GA : Roxy
From: IN%”SCREWBALL@delphi.com” 22-NOV-1994 07:16:06.78
To: IN%”sugar@csua.berkeley.edu”
CC:
Subj: REVIEW: Roxy, Atlanta, GA (includes setlist)

The Roxy is another one of those venues with *very* strange acoustics.
The center of the room is either a bass trap or an echo chamber with
no midrange, and the balcony is bass-heavy. The mix during the show
seemed a bit vocal-heavy, although Bob and David again sounded *very*
good together (even if Bob was feeling the effects of a nasty cold).
The audience at the front seemed very enthusiastic and very into the
show, complete with crowd-surfers. Unfortunately, the crowd at the
back of the audience chattered non-stop through the entire set.

Jack Logan opened this show, taking Magnapop’s slot. Initial
impressions were that he’s a good songwriter and has a fairly solid
band. However, it’s hard to draw much of a conclusion based on one
performance.

Sugar really tore the house apart tonight. This was the first of two
homecoming gigs for David (he’s originally from Atlanta), and to say
he did the hometown crowd proud would be making a gross
understatement. In comparing this show to Saturday night’s Chapel
Hill gig, Malcolm’s feeling was that the highs of this show weren’t as
high, but the lows weren’t as low. On the whole, a very solid
performance. Bob and David were all over the stage most of the night.

High points: “Explode And Make Up,” which really *did* explode on the
final chorus, and “Tilted,” which ended in an extended noise coda that
had David standing with his back to the audience, shoving his bass
into the face of his cabinet for some wicked low-end feedback. One
hell of a way to end a show.

Set time: 56 minutes; with encores, one hour, sixteen minutes.

——————————————————————

soundcheck

Company Book
Hoover Dam
The Act We Act (fragment)
Where Diamonds Are Halos

set

Gift
Company Book
Hoover Dam
Going Home
Where Diamonds Are Halos
Granny Cool
A Good Idea
Running Out Of Time
Frustration
Changes
Your Favorite Thing
Clownmaster
If I Can’t Change Your Mind
Mind Is An Island
In The Eyes Of My Friends
Explode And Make Up

Gee Angel
Armenia City In The Sky

Helpless
Tilted

——————————————————————

Tonight, Athens–end of this leg of the tour. The 40-Watt is going to
*smoke* tonight.

screwball
(screwball@delphi.com) From: IN%”pnuessle@pjn911.b17a.ingr.com” 25-NOV-1994 09:29:09.36
To: IN%”sugar@csua.berkeley.edu”
CC:
Subj: Roxy Show, Atlanta GA

As Screwball mentioned, Sugar tore the Roxy down. They were incredibly
tight, and seemed to have an excess of energy. The acoustics of the Roxy
are rather strange however, because in the first row the vocals were almost
non-existent except for songs like “Explode and Make Up”, but the guitars
were intense.

I was lucky enough to meet the band after the show (a *MUST* if you get
the opportunity). I thanked Bob for using the electronic airwaves to
communicate with his fans (this thanks goes to you as well Lars), and
he said that he felt it was a necessary thing to do in today’s market.
I also overheard that the band might have another leg of the tour in the
Spring (including perhaps a show in Nashville).
I asked Dave why Magnapop didn’t open for them last night (Magnapop will
play the Roxy Friday night), and he said that they wanted to Liquor
Cabinet (the name he knows Jack Logan’s band by) the opportunity to
open for them.

My final statement:

If Sugar plays *ANYWHERE* NEAR you, GO TO THE SHOW! Mine was a 3 hour
drive to fufill a desire to see someone who I have listened to for over
10 years, and I would do it again without a second thought.

Paul

—
==============================================================================
=

“Somehow I don’t think my memory is as good as I remember it being”

Paul Nuesslein
Senior Software Analyst
Dispatch Management Systems Division
Intergraph Corporation

phone: (205) 730-1278
e-mail: pnuessle@ingr.com
mail stop: IW17A6 Room 110U

==============================================================================
= From: IN%”afn01904@freenet.ufl.edu” “Jon Glass” 25-NOV-1994 09:29:57.22
To: IN%”sugar@csua.berkeley.edu”
CC:
Subj: Roxy show (fwd)

screwed up the address the first time. So I’m new at this …

Thanks

jglass
online editor
The Independent Florida Alligator newspaper
afn01904@.freenet.ufl.edu http://freenet.ufl.edu/~ifa/

———- Forwarded message ———-
Date: Tue, 22 Nov 1994 13:01:38 -0500 (EST)
From: Jon Glass <afn01904@freenet3.freenet.ufl.edu>
To: Sugar <majordomo@csua.berkeley.edu>
Subject: Roxy show

Hello from a tired Sugar fan who just got off the road after a 5+hour
trek to Atlanta. Incredible. I will, but shouldn’t say much more than
that. Bob, David and Malcolm put on a show that I certainly won’t forget
in a long time.

Jack Logan, the opening act, started the evening with a mix of his 15+
years of songwriting (backed by members of the Dashboard Saviours,
REM/Pete Buck fans). It was a fairly solid performance that at points
sounded like Buffalo Tom.

Then Sugar took the stage and tore through an energy-filled evening.
Highlights for me were “A Good Idea” (the best I’ve ever heard it);
Explode and Make Up (moving to say the least); Your Fave Thing (personal
reasons) and two encores that featured Gee Angel, Armenia City in the
Sky, Helpless and the kicker, Tilted. Yowww!!!!!

Only disappointment was when they kept house lights down after the second
encore — hinting that Bob might want to entertain us a little bit
longer. Our lose — but only a minor one considering what a show Sugar
put on.

Wouldn’t mind a boot of the show if anyone has access to a copy. Willing
to negotiate for copies of boots/rarities I have.

jglass
online editor
The Independent Florida Alligator newspaper
afn01904@.freenet.ufl.edu http://freenet.ufl.edu/~ifa/

Category: Performance ArchiveTag: Online Review

Boston, MA – The Orpheum – November 11, 1994

November 11, 1994

orpheum-11-11-1994-tickert-stub
Source: https://www.concertarchives.org/concerts/sugar-velocity-girl-magnapop

Opening Acts:

  • Velocity Girl
  • Magnapop

Soundcheck

Company Book
Hoover Dam
In The Eyes Of My Friends
———————————————————————
Boston, MA – The Orpheum – November 11, 1994

Set List

Gift
Company Book
Hoover Dam
Going Home
Where Diamonds Are Halos
Granny Cool
A Good Idea
Running Out Of Time
Frustration
Changes
Your Favorite Thing
In The Eyes Of My Friends
If I Can’t Change Your Mind
Mind Is an Island
Clownmaster
Explode and Make Up
Tilted

Armenia City In The Sky
Man On The Moon

Gee Angel

100% Pure CD (Full Album) Live At The Orpheum in Boston MA November 11, 1994

 

~~~~~~~~~~~~~~~~~~
Sugarlist Commentary Below  
~~~~~~~~~~~~~~~~~~

From: IN%"SCREWBALL@delphi.com" 12-NOV-1994 08:24:09.10
To:   IN%"sugar@csua.berkeley.edu"
CC:   
Subj: REVIEW:  Boston 11/11 (includes setlist)

The audience was, in general, very appreciative and really seemed to
enjoy the show.  Magnapop delivered a solid, energetic, buoyant set;
the only complaint might be that they didn't play long enough.

Velocity Girl were good; unfortunately, I seem to be missing the
point, so I'll shut up.

Sugar.  After having seen them three times already, each one better
than the last, it was hard to imagine what to expect.  But from the
first chords of "Gift" to the last echoes of "Gee Angel," they tore
the house down and left the audience exhausted and exhilarated. 
Everybody (band included) seemed very upbeat and very into the set;
once again, Bob was all over the stage and seemed to be enjoying
himself thoroughly, with the exception of "Explode And Make Up."  The
only complaint I have there is the people who keept cheering during
the quiet portions of the song; it seemed to detract from the overall
mood in a way that seemed both unnecessary and irritating.  For the
most part, though, there seemed to be very good interaction between
the audience and the band.

Even though the the setlist was out of order (according to Bob), and
even though the sequencing felt a little odd as a result, the show
was, as we've come to expect from Sugar, phenomenal.  There are damn
few bands out there who can come up with that kind of raw energy, let
alone transform it into a thing of beauty like Sugar can.

And now, without further ado, the setlist...

---------------------------------------------------------------------

soundcheck

Company Book
Hoover Dam
In The Eyes Of My Friends

---------------------------------------------------------------------

the set

Gift
Company Book
Hoover Dam
Going Home
Where Diamonds Are Halos
Granny Cool
A Good Idea
Running Out Of Time
Frustration
Changes
Your Favorite Thing
In The Eyes Of My Friends
If I Can't Change Your Mind
Mind Is an Island
Clownmaster
Explode and Make Up
Tilted

Armenia City In The Sky
Man On The Moon

Gee Angel

---------------------------------------------------------------------

      screwball
      (screwball@delphi.com)
From: IN%"FISHER@idx.com" 12-NOV-1994 11:05:06.18
To:   IN%"SUGAR@CSUA.BERKELEY.EDU"
CC:   
Subj: Sugar in Boston - a couple of notes   (Msgnum: 1690409)

Still recovering from last night but: 
 
1) Too bad Sugar played the Orpheum.  It is more of a theatre type place which
doesn't allow for moshing or whatever you like to do to get into the music.  A
lot of people in the front just sat there.  Maybe they were overwhelmed by
everything (it was hard not to be). 
 
2) The sound was not as loud as previous shows which is fine by me.  I decided
not to wear earplugs and I can hear today.  I sat in the front row right in
front of Bob for 'A Good Idea' and 'Out of Time'. It was unbelievable.  He was
sweating up a storm.  
 
3) Bob's mood:  some people on the list have said he was in a bad mood during
the shows.  Well, the guy doesn't smile that much.  Even though I only saw him
crack a smile once (right before Man on the Moon), I wouldn't say he wasn't
having a good time.  He seemed to have this attitude of: 'ok, I'm playing my
guitar and singing my tunes and I like what I'm doing, so there. I don't need
to smile all the time.'
 
4) Tilted and Explode and Make Up.  What can I say?  They were the best 2
tunes
of the night.  Tilted blew everyone away.
 
5) Malcolm plays like a man possessed.  It was cool.  Although I'm not a
Dave Barbe fan, I did like 'Frustration'.  I think he did a great job.
 
6) Tour shirts - really kewl.  They are white with the FU:EL Sugar Logo on the
front and back.  On the back are the tour dates for Oct. and Nov. only.  They
did not have the boxer shorts.
 
All in all, it was a great show (like I expected anything less).  Bob and the
guys came out to play and it was an onslaught of sound for about 70 minutes. 
There is hardly any break in between songs, so you don't lose the intensity at
all.

--LisaFrom: IN%"taw@world.std.com"  "Tom A Walat" 12-NOV-1994 11:19:39.85
To:   IN%"sugar@csua.berkeley.edu"
CC:   
Subj: Boston 11/11

      I didn't get to the Orpheum until Velocity Girl hit the stage, 
and they seemed to lull the crowd to sleep. Not being familiar with VG's 
music, they seemed rather repetitive stylistically. It was amusing to see 
them get irritated with people for not standing up when their own 
listless performance was the reason why I was playing around with my 
earplugs instead of paying any attention to them. 
 
      When Sugar entered to the roaring power chords of "Gift", I 
naturally got off my ass and started getting into the show. Unfortunately 
eveyone seemed to be stricken by this lethargy and most people near the 
front didn't stand until they started begging Bob for an encore. I was 
embarrassed for them.

      Sugar highlights: During "Armenia City in the Sky", Malcolm going 
insane on his drumkit, snapping two sticks and replacing them without 
missing a beat; never having heard "Running Out of Time" before and 
thoroughly enjoying it -- is this tune available anywhere other than on a 
bootleg?; Bob displaying flawless ferocity on "Tilted"'s solo, the man is 
incredible; and seeing Barbe get to do four songs and seeing the confused 
look on people's faces near me -- "uh, what song is this?". 
 
      Bob didn't play "The Slim" and I was chastised thoroughly by 
fellow concert-goers who I had told that Sugar usually ends the second 
encore with this song. But overall, an incredible show and I didn't need 
earplug (except when VG was on stage, but it wasn't because of volume.)From: IN%"plh@swl.msd.ray.com"  "Paul Hilcoff" 14-NOV-1994 11:24:11.62
To:   IN%"sugar@soda.csua.berkeley.edu"
CC:   
Subj: Boston show notes

Others have already fairly summarized the Boston gig.  I just have
a few notes to add:

--"Explode And Make Up" was the high point for me.  It started
  out with almost whispered vocals and subdued accompaniment--and
  stayed that way through verse-chorus-verse-chorus, round and
  round, for what seemed like forever.  As a result, the tension
  in anticipation of the expected explosion grew all but unbearable.
  The explosion, when it did come, was cataclysmic.  It's a wonder
  Bob didn't have a stroke.  God, what a moment.

--Bob was full of energy.  He leaped around and covered a lot of
  territory on stage.  Be the end of the show the perspiration
  was spraying off him in all directions, like one of those cartoon
  characters drawn to express exaggerated fear.

--This was Malcolm's homecoming, and the audience was loaded with his
  friends.  He did the home crowd proud.

--Great "Tilted."  I was hoping that its extended coda would be the
  springboard for a free-form jam as it has on a few past occasions,
  but it didn't happen.

--The sound volume has indeed been decreased this time around,
  although it was not obvious during the performance.  My metric
  for evaluating loudness is the ear-ringing time-constant.  After
  Friday's show my ears were fine within 30 minutes.  On previous
  tours my ears would typically still be ringing the morning after
  the show.

--Bob's not crazy about the Orpheum.  The entire audience being
  seated mitigates the frenzy, so there's less overt energy to feed
  back to the band.  One foolish gentleman did attempt to rush the
  stage, but was warmly greeted by security personnel, who persuaded
  him rather forcefully that his plan was misguided.

Paul Hilcoff
plh@swl.msd.ray.comFrom: IN%"HENNESSE@HULAW1.HARVARD.EDU"  9-DEC-1994 09:36:39.84
To:   IN%"Ethan_Straffin@next.com"  "Ethan Straffin"
CC:   IN%"sugar@CSUA.Berkeley.EDU"
Subj: RE: Recorded vs. live vocal melodies

Hi,

This is the first time I'm writing to this list.  Should be interesting.  
I'm a big Bob fan, as I'm sure you all are.  I first saw him live on the 
Black Sheets tour, though I was into him and Husker before that.  He was 
great.  This brings me to my point, I have now seen Bob 8 times, twice 
solo, five times with Sugar, and once at the above mentioned gigs.  As a 
whole I've found the Sugar gigs less satisfying than the others.  

When I first saw Sugar it was their second gig in England, at ULU in London.  
Only the Changes single had been released, and we were all greeted with 
entirely new material.  The problem was, we could only hear the guitar.  
Bob's stage volume was so loud that even Malcolm's amazingly loud snare 
drum could only be barely heard.  Every time I've seen Sugar, sound 
balancing problems have seriously marred their shows.  

Beginning with the XFM 'fest in London, I have also found their performances 
starting to slip.  Yes everyone, it's the dynamics problem again.  They are a
very dynamic band, the albums have peaks and troughs, why does their live 
shows have to be one, even, screaming level all the time.  After a few 
shows it seems more of an exercise in stamina rather than a pop concert.

The most recent time I've seen them was in Boston at their excuse for a 
large size club, the Orpheum, which has enough problems of its own to 
destroy a show.  The place was too big, though at Sugar's level now I can 
hardly think of seeing them in a place like ULU again, and I had balcony 
seats.  Not much of a problem except that you're not allowed to dance in 
the balacony.  They sound engineer seemed to forget that there was a 
balcony, because, he was obviously mixing for the floor.  The only thing 
that we got to hear clearly was Bob's guitar, the stage volume I was 
on about earlier saved the day.  I could live with all that, but Sugar's 
performance was not wonderful.  True, they played for an hour and a half 
and, true, they squeezed an awful lot of songs into that time.  But they 
also squeezed the songs dry of emotion.  They did do Tilted, which was 
the best song of the night, barre one of David's that I can't remember 
now, but they did it so fast that I almost missed it.  Everything was 
that fast, that loud, and that obnoxious.  What works well for Tilted 
doesn't work for everything.  By half way through, I could hardly keep 
myself bouncing in my chair, I was becoming as forced as their 
performance.  What saved my night was Man in The Moon, which I love in 
all formats.  That song trancends mere format.

So, you might ask, what has drawn me back to Sugar live over and over 
again.  I don't know, I had to use Velocity Girl as my excuse to go to 
this one, as I had promised myself that four times was enough.  Maybe I 
just can't give one of my old idols enough chances.  It's probably just 
Man in The Moon...

Tara, Sean

PS what live melodies, I thought he was just screaming?From: IN%"ATRANSOU@smith.smith.edu"  9-DEC-1994 12:58:54.92
To:   IN%"sugar@csua.berkeley.edu"
CC:   
Subj: RE: Sean 12-9-94

Hi.  This is my first time writing as well.  I thought I'd hang out and just
read everything for a while before I actually posted anything, but I feel the
need to respond to Sean...

The Boston show at Orpheum was very fast, but I'm sorry your seat was in the
balcony, because I thought it sounded pretty good from the floor.  I 
overall liked the show; they just played the hell out of everything.  The
crowd kinda sucked, in my opinion.  I thought "Explode" was the best; Bob
just let it ALL out!  And last, I thought Magnapop did a lot better than 
Velocity Girl.

Anyway, those are my thoughts.  Take 'em or leave 'em.  Have a nice day.

Later, Alison
atransou@smith.smith.eduFrom: IN%"HENNESSE@HULAW1.HARVARD.EDU"  9-DEC-1994 14:03:43.48
To:   IN%"ATRANSOU@smith.smith.edu"
CC:   IN%"sugar@csua.berkeley.edu"
Subj: RE: Sean 12-9-94

On Fri, 9 Dec 1994 ATRANSOU@smith.smith.edu wrote:

> Hi.  This is my first time writing as well.  I thought I'd hang out and just
> read everything for a while before I actually posted anything, but I feel
the
> need to respond to Sean...
> 
> The Boston show at Orpheum was very fast, but I'm sorry your seat was in the
> balcony, because I thought it sounded pretty good from the floor.  I 
> overall liked the show; they just played the hell out of everything.  The
> crowd kinda sucked, in my opinion.  I thought "Explode" was the best; Bob
> just let it ALL out!  And last, I thought Magnapop did a lot better than 
> Velocity Girl.
> 
> Anyway, those are my thoughts.  Take 'em or leave 'em.  Have a nice day.
> 
> Later, Alison
> atransou@smith.smith.edu
> 

Hi,

Thanks for replying.  I'm sorry I was in the balcony, too.  The crowd was 
quite dull, but that seems to be normal for Boston crowds, they just 
don't want to move.  Pretty dull really, and some all-american collegiate 
types behind me were just too into talking about how cool and alternative 
thay were to pay attention to the show.

I missed Magnapop, but I love Velocity Girl, and I liked them, even if 
their sound was like a pudding.

Tara, SeanFrom: IN%"rgarcia@world.std.com"  "Robert Garcia" 15-DEC-1994 11:09:04.27
To:   IN%"HENNESSE@HULAW1.HARVARD.EDU"
CC:   IN%"ExRay@world.std.com"  "Charles E Cook",
IN%"ATRANSOU@smith.smith.edu", IN%"sugar@csua.berkeley.edu"
Subj: RE: Sean 12-9-94

On Thu, 15 Dec 1994 HENNESSE@HULAW1.HARVARD.EDU wrote:
> > I find that the Orpheum is just not a particularly good place to see 
> > particular bands.
> > 
> > -chuck c.
> > 
> Hi,
> 
> No flames, but I don't care for Green Day.  The Orpheim is an awful place 
> to see bands.  I couldn't say Boston crowds are always dull, as I'm not 
> from here, but, at most of the shows I've seen here, the crowd has done 
> little to change that view.  You should have seen the Sugar crowd at ULU...

I was at that show and was kind of underwhelmed by the crowd too.  I 
don't go to many concerts so I didn't know what to make of it.  I felt 
particularly bad for the opening acts.  Must be tough to look out a bunch 
of impersonal New Englanders and have to perform...

Still, I thought Sugar was excellent!  I'm just getting over it now... ;-)

Robert Garcia
______________________________________________________________________________
Roberto Garcia                       "There is nothing noble in being
Network Specialist                  superior to some other man.  The true
Genzyme Corporation                 nobility is in being superior to your
500 Soldiers Field Road             previous self"
Allston, MA  02134 USA                    Samuel Johnson
______________________________________________________________________________From: IN%"HENNESSE@HULAW1.HARVARD.EDU" 15-DEC-1994 11:58:30.02
To:   IN%"rgarcia@world.std.com"  "Robert Garcia"
CC:   IN%"ExRay@world.std.com"  "Charles E Cook",
IN%"ATRANSOU@smith.smith.edu", IN%"sugar@csua.berkeley.edu"
Subj: RE: Sean 12-9-94

On Thu, 15 Dec 1994, Robert Garcia wrote:

> 
> On Thu, 15 Dec 1994 HENNESSE@HULAW1.HARVARD.EDU wrote:
> > > I find that the Orpheum is just not a particularly good place to see 
> > > particular bands.
> > > 
> > > -chuck c.
> > > 
> > Hi,
> > 
> > No flames, but I don't care for Green Day.  The Orpheim is an awful place 
> > to see bands.  I couldn't say Boston crowds are always dull, as I'm not 
> > from here, but, at most of the shows I've seen here, the crowd has done 
> > little to change that view.  You should have seen the Sugar crowd at
ULU...
> 
> I was at that show and was kind of underwhelmed by the crowd too.  I 
> don't go to many concerts so I didn't know what to make of it.  I felt 
> particularly bad for the opening acts.  Must be tough to look out a bunch 
> of impersonal New Englanders and have to perform...
> 
> Still, I thought Sugar was excellent!  I'm just getting over it now... ;-)
> 
> Robert Garcia
> 
Hi,

I also real felt sorry for the other bands, particularly Velocity Girl, 
as I missed most of Maganapop.  They seemed to be trying so hard.  I 
really like V. Girl, but the strain was definitly a tick too much for 
them.  I'm just glad it wasn't me...

Tara, SeanFrom: IN%"rgarcia@world.std.com"  "Robert Garcia" 15-DEC-1994 15:48:51.16
To:   IN%"HENNESSE@HULAW1.HARVARD.EDU"
CC:   IN%"ExRay@world.std.com"  "Charles E Cook",
IN%"ATRANSOU@smith.smith.edu", IN%"sugar@csua.berkeley.edu"
Subj: RE: Sean 12-9-94

On Thu, 15 Dec 1994 HENNESSE@HULAW1.HARVARD.EDU wrote:
> Hi,
> I also real felt sorry for the other bands, particularly Velocity Girl, 
> as I missed most of Maganapop.  They seemed to be trying so hard.  I 
> really like V. Girl, but the strain was definitly a tick too much for 
> them.  I'm just glad it wasn't me...

Hi,

Magnapop wasn't too bad.  I thought they started off kinda slow but 
picked up towards the end.  VGirl was good.  I didn't know much of either 
band's music so it was kind of hard for me to get that "I hope they 
play..." anticipation.

They definitely deserved a little more appreciation.

______________________________________________________________________________
Roberto Garcia                       "There is nothing noble in being
Network Specialist                  superior to some other man.  The true
Genzyme Corporation                 nobility is in being superior to your
500 Soldiers Field Road             previous self"
Allston, MA  02134 USA                    Samuel Johnson
______________________________________________________________________________
Robert From: IN%"rgarcia@world.std.com"  "Robert Garcia" 15-DEC-1994 15:57:29.07
To:   IN%"sugar@csua.berkeley.edu"
CC:   
Subj: RE: Sean 12-9-94 (Msgnum: 1759828)

On Thu, 15 Dec 1994 FISHER@idx.com wrote:
> >Robert Garcia <rgarcia@world.std.com> wrote:
>  
> >I was at that show and was kind of underwhelmed by the crowd too.  I 
[deletia..]
> >of impersonal New Englanders and have to perform...
> 
> Excuse me???? 'Impersonal New Englanders'?????
>  
> Did any of you losers see Sugar a couple years ago at Avalon?  The place
> rocked!!!  It was the loudest, craziest show I had ever been to.

Uh, no.  I'm glad it was livelier than the November 11 show.  Also, they
crowd did get to its feet for Bob and co., but pretty much sat through the
opening acts.  I knew one song from each group but think they deserved a
little more appreciation than they got from the bulk of the crowd. 

> Stop slamming Boston as a bad place to see a show.  If you haven't lived
here
> that long and been to some of the smaller clubs, then you have no right.

I've lived here seven years.  You're right, I don't go to enough shows to
comment on NE crowds or clubs.  I'm sorry you took that as a slam.  The 
11/12 crowd at the Orpheum was not exactly the liveliest group of people 
I've ever spent two hours with.  That is all I meant.

However, the fact that some New Englanders can be as warm as icebergs is
obvious the minute you get off the plane.  Don't get me wrong, I *LOVE*
living here and have met many wonderful people here (some of them natives,
even :->) but this city can be really rude.  I've lived in several cities
in Europe and the US so I think I'm qualified to have an opinion in this
regard. 

Speaking of Europe, has anyone ever seen a Sugar show in Europe?  Where, 
when, and what did you think?

Robert Garcia
______________________________________________________________________________
Roberto Garcia                       "There is nothing noble in being
Network Specialist                  superior to some other man.  The true
Genzyme Corporation                 nobility is in being superior to your
500 Soldiers Field Road             previous self"
Allston, MA  02134 USA                    Samuel Johnson
______________________________________________________________________________

Source: https://web.archive.org/web/20000830173233/http://www.csua.berkeley.edu/~stevie/sugar/reviews/Boston.94.11.11

 

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